Gene Reynolds, an architect of ‘M*A*S*H’ on TV

NEW YORK — Gene Reynolds, an Emmy-winning producer and director who was a force behind two of the most acclaimed television series of the 1970s and early ’80s, “M*A*S*H” and “Lou Grant,” died of heart failure Monday in Burbank, Calif. He was 96.

Mr. Reynolds started his prolific career on the performing side of the camera, appearing in some 80 films and television shows, beginning when he was a child. He developed an unusual sort of specialty: playing the younger versions of characters played by top film stars of the 1930s.

He was the adolescent version of Don Ameche’s character in “Sins of Man” (1936), and of Ricardo Cortez’s character in “The Californian” (1937), and of Tyrone Powers’ character in “In Old Chicago” (1938), among others. A breakthrough was when he played the young version of James Stewart’s character in “Of Human Hearts” (1938), an MGM movie that earned him a contract with that studio.


Mr. Reynolds racked up dozens more TV and film acting credits, including more than 40 in the 1950s, but by the end of that decade he had shifted his focus to directing and, soon after that, to producing.

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In the 1960s, he directed many episodes of television comedies, including “Hogan’s Heroes” and “F Troop,” both of which found humor and absurdity in military settings. That experience served him well in 1972, when, at the instigation of the producer William Self, he helped Larry Gelbart develop “M*A*S*H” about an Army hospital in the Korean War. (Robert Altman’s film, based on Richard Hooker’s novel, had come out two years earlier.)

The series, addressing serious themes with a mix of slapstick and dark humor, is still considered one of the finest in television history. Its final episode, in 1983, set a ratings record. By then, though, Mr. Reynolds had moved on and already had another acclaimed series to his credit: “Lou Grant,” which he helped create in 1977, the year he left “M*A*S*H.” The show, about a fictional newspaper, with Ed Asner as the title character, twice won the Emmy Award for outstanding drama series.

Mr. Reynolds directed episodes of each of those series (including the first episodes of both), winning two Emmys himself for outstanding direction of a comedy for “M*A*S*H.” He won six Emmys in all, including one for “M*A*S*H” for best comedy series and one for an earlier show he developed, “Room 222,” which was named outstanding new series of 1969-70.

Eugene Reynolds Blumenthal was born April 4, 1923, in Cleveland and grew up in Detroit. His father, Frank, was a businessman who later went into real estate, and his mother, Maude (Schwab) Blumenthal, was a model before becoming a homemaker.


“I was a very energetic child,” he said in an interview for the book “Growing Up on the Set: Interviews With 39 Former Child Actors of Classic Film and Television” (2002), by Tom Goldrup and Jim Goldrup, “and my mother mistook that for talent.”

She took him to an acting group for children, and soon he was appearing in radio commercials. After the family moved to California when he was about 11, he began working as an extra in TV shows and movies. One of his first roles was in the 1934 Lauren and Hardy film “Babes in Toyland.”

He appeared in movies with other child and teenage stars, including Shirley Temple, Mickey Rooney, and Judy Garland. He set aside his film career when World War II broke out, enlisting in the Naval Reserve Officers Training Corps and serving on ships including the destroyer-minesweeper the Zane.

“Herman Wouk was the senior watch officer,” Mr. Reynolds recalled in “Growing Up on the Set,” “and he would get up every morning very early and would write.” In 1951, of course, Wouk published his Pulitzer Prize-winning novel, “The Caine Mutiny,” which drew on his experiences on that ship.

After the war, Mr. Reynolds earned a history degree at the University of California Los Angeles and resumed acting. Soon he was directing episodes of some of the most popular series of the 1960s, including “Leave It to Beaver,” “The Andy Griffith Show,” and “My Three Sons.”


His first marriage, to Bonnie Jones, an actress, ended in divorce. He and his wife, also an actress, married in 1979 and lived in Los Angeles. In addition to her, he leaves a son, Andrew.

“M*A*S*H” is a classic example of ensemble acting, and members of the cast often credited Mr. Reynolds with the chemistry that made the show work.

“It started when Gene Reynolds was producing the series,” Mike Farrell, who starred in the show for most of its run alongside Alan Alda, Loretta Swit, and others, told The Boston Globe in 1979. After a table read of the week’s script, he said, Mr. Reynolds would invite the cast members to offer suggestions.

“This is unheard-of in television,” Farrell said. “On most shows they not only don’t care what the actors think, they would prefer actors who don’t think.”