The Globe’s picks for the best ways to spend your weekend.

The master cartoonist had a biting wit about social and political change, but his humor is a good entry point for learning hard truths.

Curator Maya Erdelyi’s lively “The Skin Has Eyes: Animated Visions,” at the Boston Center for the Arts’ Mills Gallery, celebrates old-school animation techniques.

“William Hunter and the Anatomy of the Modern Art Museum” looks at a pivotal individual.

The 29-year-old creative is always dreaming up larger-than-life projects.

This week’s picks from Globe critics.

Siri Hustvedt’s newest novel is “Memories of the Future.”

Jordan Seaberry, who is spotlighted in the “deCordova New England Biennial 2019,” addresses systemic injustice, family wounds, and moving forward in his powerful, imagistic paintings.

In “Aera Synthetica,” artworks explore the fact that we’re part of nature. And we’re changing it, all too quickly.

A new show at the Museum of Fine Arts traces fashion’s relationship to gender and the way we use it to express ourselves beyond the boxes offered to us.

In a fascinating show, the Worcester Art Museum puts on view the Impressionist master’s paean to a rapidly-changing world.

The Seaport has commissioned artist Daniele Frazier to create “20 Knots: Daffodils for Boston” ahead of the Boston Marathon.

Your seasonal calendar of events, music, theater, and more.

Michael Brodeur is back in town. And this time, it’s for music.

This week’s picks from Globe critics.

Bouchra Khalili’s video piece at the MFA burnishes a historic moment ripe for our trying times.

The Globe’s guide to the best things to do this weekend.

The Metropolitan Museum offers daguerreotypes, the Morgan Library highlights from the National Gallery of Canada.

Art experts in Britain have discovered that a painting thought to be a fake Sandro Botticelli in fact came from the master’s own Florence workshop.

The artist’s affecting new sculptures evoke the perils of the flesh.

For too long, remembrances of Martin Luther King Jr. have failed to do what King did in his lifetime.

This week’s picks from Globe critics.

There’s a continuum of carnage in Huma Bhabha’s artwork. It’s also exuberant, dynamic, and playfully alive.

A show at the Portland Museum of Art captures the complexities not visible in tourist brochures.

A very eminent Victorian remains a force for how we understand art and society.

The Globe’s picks for the best ways to spend your weekend.

Happy Place, a pop-up exhibit known for being the perfect place to take selfies, will take up in the former Marshalls space in the Back Bay in April.

Siddharth Choudhary, who grew up in India, creates punchy digital drawings that reflect how places intersect in our psyches.

The Institute of Contemporary Art Boston will present Yayoi Kusama’s “LOVE IS CALLING” starting Sept. 24, according to ICA director Jill Medvedow. 

From the heartbreaking to the holy, “Plastic Entanglements: Ecology, Aesthetics, Materials” and “Konstantin Simun: The Sacred in the Profane” explore the medium.

Robert Gentile maintained Monday that he knows nothing about the still-unsolved theft from the Isabella Stewart Gardner Museum. The heist took place 29 years ago today.

His “UNTITLED_I will be there when you die” deploys four jugglers in a perpetual-motion meditation where time never stops; neither do the performers.

Huma Bhabha: They Live sculptural exhibit at the ICA, a bike travel film festival in Arlington, Maker Supply Market, and more.

More than 3,000 works won Massachusetts Scholastic Art and Writing Awards.

This week’s picks from Globe critics.

The film, more than two hours of dialogue-free loose narrative, is a sparse paean to the Sawtooth mountain range, the big nature of the artist’s youth.

A Wayfair illustrator, Julia Emiliani combines design with more traditional artistic elements to make her work pop.

The cartoonist’s classic character was inspired by a man named Schlitzie Surtees.

The Globe’s picks for the best ways to spend your weekend.

A review of photography shows at City Hall and at Lesley University, in Cambridge.

Painter Chanel Thervil interviewed millennials about their experiences of racism, and her mixed-media installations orbit around their portraits.